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Good Friday in Jerusalem a “Home Run”
The “Almost Rational” blogger, Steven Bilow, calls Good Friday In Jerusalem a “Home Run” in his review: “Cappella Romana’s Good Friday in Jerusalem is a superb example of just how lovely this music can be. It was recorded in a Church at Stanford and engineered by some clearly acoustically savvy members of Stanford’s Center for…
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Good Friday In Jerusalem in The Oregonian!
The Oregonian‘s David Stabler features our Amazon chart-topping Good Friday In Jerusalem release: “Alexander Lingas leads Cappella’s all-male version in stirring performances, anchored by bass drones underneath meditative melody. The feeling is profound, devotional and powerful in its simplicity, reflecting the pathos of Good Friday, the day Christ died. … Holding drone pitches and singing…
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Orthodox Arts Journal Review for Good Friday
The Orthodox Arts Journal asks “How can music be alive?” in On History and Tradition: A Review of Cappella Romana’s “Good Friday in Jerusalem”. “Good Friday in Jerusalem is no exception to the level of quality that audiences have come to expect from Cappella Romana’s recordings; the singing on the disc is at once rich,…
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Memory Eternal: Lycourgos Angelopoulos
A great friend of Cappella Romana, the Byzantine cantor and teacher Lycourgos Angelopoulos died on Sunday. Memory Eternal. Mr. Angelopoulos was the teacher of Dr. Alexander Lingas, and in many respects was the inspiration for the founding of Cappella Romana. John Michael Boyer was also his student. Both Dr. Lingas and Mr. Boyer will attend…
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Oregon Arts Watch Reviews A Time for Life
Oregon Arts Watch with a review from our A Time For Life concert in Portland: “… Kyr’s work really shines in the atmosphere it creates. The very beginning is understated, with strings alone. But as the voices come in, starting with the low tenor, the string harmony starts to take flight. A haunting spirituality arises,…
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Classical Voice North America Reviews Passion Week Premiere
Seattle critic, Philippa Kiraly, has a fantastic feature and review of our recent World Premiere performance of Maximilian Steinberg’s Passion Week in Classical Voice North America: “Sometimes it sounded stern or foreboding, sober or somber, at other times brighter and joyful, or hypnotic, peaceful, and uplifting, or solemn and reverential, even exalted in Great Saturday’s…
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SB at the 2012 Reading and Leeds Festivals
SB is set to perform at The 2012 Reading and Leeds Festivals. The band will hit the main stage at the Reading Festival on Friday, August 24th and the Leeds Festival on Saturday, August 25th.
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Events at City University London
FOR IMMEDIATE RELEASEContact: Louise Gordon, Concerts Manager, +44 (0) 20 7040 8271, louise.gordon.1@city.ac.uk City University Brings ‘Voices of Byzantium’ to London ‘robust and intriguing music’—The Washington Post, 2 DEC. 06‘sung with such strength and commitment’ —Los Angeles Times, 12 DEC. 06 London. [12 February 2009] — In March 2009, the Department of Music at City…
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Ivan Moody on the Rachmaninoff Divine Liturgy of St. John Chrysostom
Following three sold-out performances last season of Rachmaninoff’s All-Night Vigil (“Vespers”), this year Cappella Romana presents Rachmaninoff’s earlier sacred masterpiece, the Divine Liturgy of St. John Chrysostom (1910). Composer (and friend of Cappella Romana) Fr. Ivan Moody, published some wonderful program notes for the Corydon Singers recording of this work, and we’ll quote some of…
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Rachmaninoff: Divine Liturgy Reviews Are In!
Thanks to all who made it out to the concerts this weekend! The reviews are in: From The Oregonian: “Friday night’s performance of the Divine Liturgy at St. Mary’s Cathedral was indeed drenched in sumptuous sonic pleasure. “It was a marathon for the singers, a vast text amounting to nearly 18 program pages of Old…
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Meet Owen Rees’s ensemble Contrapunctus
Meet upcoming guest conductor Owen Rees’s ensemble Contrapunctus: Coupling powerful interpretations with path-breaking scholarship, Contrapunctus presents music by the best known composers as well as unfamiliar masterpieces. Contrapunctus grew from the vocal ensemble A Capella Portuguesa, in recognition of the group’s broadening repertoire, and its dedication to the music of composers from various nations including…
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